Bachata Haiti highlights the relationship between Bachata, an emblem of Dominican identity, and Haitian migrants that over generations have contributed to the genre.
Bachata is a guitar-based music from the Dominican Republic. It is hugely popular in the barrios but frowned upon by polite society. Censorship in the Dominican media has contributed to Bachata’s isolation, but in recent years, the international success of pop bachateros like Romeo Santos has opened doors for more traditional artists.
Despite tense relations between the countries, Haitian immigrants to the Dominican Republic have played an important role in Bachata’s development and are among its most ardent fans.
Some Haitian-Dominican bachateros, most notable Felix Cumbe,
have asserted their Haitian identity, celebrating it as part of their image. But most, for fear of persecution, have been careful to avoid any direct association with Haiti; all the while cultivating a following among both Haitians and Dominicans in the slums and plantations that dot the Dominican side of Hispaniola.
Though Creole is the mother tongue of a number of popular bachata artists, and of many of their fans, a Creole language bachata has never been released until now. Sung in Creole and Spanish, Bachata Haiti joins bachata guitar maestro Joan Soriano with a roster of Haitian-Dominican artists, including Felix Cumbe, Franklin Medina "El Zorro Negro", Toni Tomas, Hector Ventura "El Gabilan", Tony Sugar (Los Diplomaticos de Haiti), and Willy Sánchez.
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